New Voices Festival Guide

A genre-bending debut with a fiercely political heart, A Haunting in Hialeah Gardens explores the weight of the devil's bargain, following the lengths one man will go to for the promise of freedom. Hugo Contreras's world in Miami has shrunk. Since his wife died, Hugo's debt from her medical bills has become insurmountable. He shuffles between his efficiency apartment, La Carreta (his favorite place for a cafecito), and a botanica in a strip mall where he works as the resident babaláwo.   One day, Hugo's nemesis calls. Alexi Ramirez is a debt collector who has been hounding Hugo for years, and Hugo assumes this call is just more of the same. Except this time Alexi is calling because he needs spiritual help. His house is haunted. Alexi proposes a deal: If Hugo can successfully cleanse his home before Noche Buena, Alexi will forgive Hugo's debt. Hugo reluctantly accepts, but there's one issue: Despite being a babaláwo, he doesn't believe in spirits.   Hugo plans to do what he's done with dozens of clients before: use sleight of hand and amateur psychology to convince Alexi the spirits have departed. But when the job turns out to be more than Hugo bargained for, Hugo's old tricks don't work. Memories of his past--his childhood in the Bolivian silver mines and a fraught crossing into the United States as a boy--collide with Alexi's demons in an explosive climax.   Equal parts hilarious and heartbreaking, A Haunting in Hialeah Gardens explores questions of visibility, migration, and what we owe--to ourselves, our families, and our histories.

This "gorgeous, electric" collection of short stories is about the inner lives of young women during their transformative twenties, navigating relationships, nostalgia for the past, and the uncertainty of the future (Mary-Beth Hughes, author of The Ocean House). With this sharp and witty debut collection, author Kate Doyle captures precisely that time of life when so many young women are caught in between, pre-occupied by nostalgia for past relationships--with friends, roommates, siblings--while trying to move forward into an uncertain future. In "That Is Shocking," a college student relates a darkly funny story of romantic humiliation, one that skirts the parallel story of a friend she betrayed. In others, young women long for friends who have moved away, or moved on. In "Cinnamon Baseball Coyote" and other linked stories about siblings Helen, Evan, and Grace, their years of inside jokes and brutal tensions simmer over as the three spend a holiday season in an amusing whirl of rivalry and mutual attachment, and a generational gulf widens between them and their parents. Throughout, in stories both lyrical and haunting, young women search for ways to break free from the expectations of others and find a way to be in the world.  Written with crystalline prose and sly humor, the stories in I Meant It Once build to complete a profoundly recognizable portrait of early adulthood and the ways in which seemingly incidental moments can come to define the stories we tell ourselves. For fans of Elif Batuman, Ottessa Moshfegh, Patricia Lockwood, and Melissa Bank, these stories about being young and adrift in today's world go down easy and pack a big punch.  

A powerful novel that's "hilarious, heartbreaking, and ass-kicking" (Jamie Ford), of a Puerto Rican family in Staten Island who discovers their long‑missing sister is potentially alive and cast on a reality TV show, and they set out to bring her home. A March Indie Next Pick! Belletrist, Phenomenal,Page & Pairing, and Readers Digest book club pick! Longlisted for the Aspen Words Literary Prize and a Finalist for the PEN/Faulkner Award! The Ramirez women of Staten Island orbit around absence. When thirteen‑year‑old middle child Ruthy disappeared after track practice without a trace, it left the family scarred and scrambling. One night, twelve years later, oldest sister Jessica spots a woman on her TV screen in Catfight, a raunchy reality show. She rushes to tell her younger sister, Nina: This woman's hair is dyed red, and she calls herself Ruby, but the beauty mark under her left eye is instantly recognizable. Could it be Ruthy, after all this time? The years since Ruthy's disappearance haven't been easy on the Ramirez family. It's 2008, and their mother, Dolores, still struggles with the loss, Jessica juggles a newborn baby with her hospital job, and Nina, after four successful years at college, has returned home to medical school rejections and is forced to work in the mall folding tiny bedazzled thongs at the lingerie store. After seeing maybe‑Ruthy on their screen, Jessica and Nina hatch a plan to drive to where the show is filmed in search of their long‑lost sister. When Dolores catches wind of their scheme, she insists on joining, along with her pot-stirring holy roller best friend, Irene. What follows is a family road trip and reckoning that will force the Ramirez women to finally face the past and look toward a future--with or without Ruthy in it. What Happened to Ruthy Ramirez is a vivid family portrait, in all its shattered reality, exploring the familial bonds between women and cycles of generational violence, colonialism, race, and silence, replete with snark, resentment, tenderness, and, of course, love. A Most Anticipated Book of 2023 by Elle * USA Today * Today.com * Ms. Magazine * Good Housekeeping * Bustle * The Week * Goodreads * Bookriot * Pop Culturely * SheReads * Litreactor * Electric Lit * The Mary Sue * People Español * Zibby Mag * Debutiful * Her Campus   Best Books of March by Shondaland * Ms. Magazine * Popsugar * Bookriot * Debutiful * Powell's Book Blog * TIME 100 must-read book of 2023 * Booklist Top 10 debut of 2023 * Library Journal Best Pop Fiction of 2023 * The Latinidad List​ Best Debut Novel of 2023 * Chicago Public Library Favorite Book of 2023 * Good Housekeeping Must-Read Book of 2023 * Today.com Standout Book of 2023

Stella Wong's debut book of poems playfully subverts and willfully challenges any notions we might have about Asian Americanness and its niceties. While her previous chapbook stunned her admirers and adherents into an almost fawning incredulity, this outing eviscerates. More like getting struck with Chinese stars right between the eyes. TKO with a mean left hook to boot. And if you manage to get back up on your feet again, if your dare dance around in the haunted ring that American poetry is, be certain that this most un-model minority bard will teach you not to ever read the same way again. Or as Danez Smith has extolled: "Stella Wong wields the kind of weaponry I live to be slayed by. Funny as hell, delightfully strange and full of a sneaky and giant heart, this book will knock the windows of your heart not just open, but out the frame once you see how far Wong can dive into fear and the terrible possibles of humanness can still carry back something like hope, gooder than joy."

For fans of Helen MacDonald's H is for Hawk and Mary Roach, Erica Berry's WOLFISH blends science, history, and cultural criticism in a years-long journey to understand our myths about wolves, and track one legendary wolf, OR-7, from the Wallowa Mountains of Oregon Oregon Book Award Finalist * Shortlisted for the 2024 Pacific Northwest Book Award * A Most Anticipated Book of 2023: TIME, Los Angeles Times, Vulture, Salon, Bustle, The Rumpus, Financial Times, Reader's Digest, LitHub, Book Riot, Debutiful, and more! "Exhilarating." --The Washington Post "Wolfish starts with a single wolf and spirals through nuanced investigations of fear, gender, violence, and story. A GORGEOUS achievement." --Blair Braverman, author of Welcome to the Goddamn Ice Cube "This is one of those stories that begins with a female body. Hers was crumpled, roadside, in the ash-colored slush between asphalt and snowbank." So begins Erica Berry's kaleidoscopic exploration of wolves, both real and symbolic. At the center of this lyrical inquiry is the legendary OR-7, who roams away from his familial pack in northeastern Oregon. While charting OR-7's record-breaking journey out of the Wallowa Mountains, Erica simultaneously details her own coming-of-age as she moves away from home and wrestles with inherited beliefs about fear, danger, femininity, and the body. As Erica chronicles her own migration--from crying wolf as a child on her grandfather's sheep farm to accidentally eating mandrake in Sicily--she searches for new expressions for how to be a brave woman, human, and animal in our warming world. What do stories so long told about wolves tell us about our relationship to fear? How can our society peel back the layers of what scares us? By strategically unspooling the strands of our cultural constructions of predator and prey, and what it means to navigate a world in which we can be both, Erica bridges the gap between human fear and grief through the lens of a wrongfully misunderstood species. Wolfish is for anybody trying to navigate a world that is often scary. A powerful, timeless, and necessary book for our current and future generations.

Elisa Gonzalez's thrilling debut makes one "feel as if poems have never before been written" (Louise Glück). Grand Tour, the debut collection of poetry by Elisa Gonzalez, dramatizes the mind in motion as it grapples with something more than an event: she writes of a whole life, to transcendent effect. By the end, we feel we have been witness to a poet remaking herself. Gonzalez's poetry depicts the fullness of living. There are the small moments: "white wine greening in a glass," trumpet blossoms "panicking across the garden." Some poems adopt the oracular quality of a parable but invariably refuse a clear moral. The poet moves through elegy, romantic and sexual encounters, family history, and place--Cyprus, Puerto Rico, Poland, Ohio--all constellated in "a chaos of faraway." The collection is held together less by answers than by a persistent question: How doe you reconcile a hatred for the world's pain with a love for that same world, which is indivisible from its worst aspects? Gonzalez's poems draw us nearer to our own aliveness, its fragility and sustaining questions. "Since I do love the world," she says, she keeps writing, inviting us to accompany her as she searches.